![]() By the time a reader gets to the point where they can honestly say they fully understand all the intricacies of secretly coded meanings conveyed by Julius, The Conjure Woman has become the size of one of those blooming onions that an entire table of diners can’t finish off. No solid critical engagement of any story can be attained with just one reading, but Chesnutt a whole new spin on the concept that a text is like an onion in which each layer that is pulled away reveals yet another one lying beneath. The genius of these stories lies in the way that Chesnutt’s reimagining of the “Uncle Remus” stereotype seems to tell a simple, but ridiculously unrealistic tale in the middle of each story only for multiple readings to reveal a depth of complex realism few would ever imagine. ![]() While the conjure stories revealing the ugly reality of plantation life are with each passing year being recognized more and more, the sentimentalized and just plain fancifully racist plantation stories of Joel Chandler Harris are now seen as such an embarrassment that the Walt Disney Company wants nothing to do with his Uncle Remus character.Īside from toppling at least one titan of American literary history, T he Conjure Woman also reveals that the single greatest exemplar of subtle irony is an author whom perhaps as many as 99% of American students in the 20th century were never introduced to or even heard of. The stories in this collection has already nearly single-handedly undone another inexplicably high reputation for a writer who at one time was as beloved and popular as Mark Twain in fact, even Mark Twain was a fan. This collection is just that impressiveĬhesnutt may well be the man to knock off Hemingway or some other undeserving writer from the place on the literary canon which should be rightly his. And after all, even though it is not technically a novel, but rather a compendium of loosely connected short stories, Charles Chesnutt’s The Conjure Woman is also deserving of being on that short list of the best books of fiction ever written by an American author. History has a way of eventually weeding out the overrated so that the forgotten can be finally given their due. But, then again, what 19th century scholar would ever have predicted that one day that crazy Herman Melville’s forgotten story about the crazy hunt for a white whale would be one of the top three serious contenders for the Great American Novel? Hemingway’s legacy is today so mythologized that it seems impossible to imagine that future generations might have the sense to recognize Charles Chesnutt is his superior in every conceivable way. One day, perhaps, if there is any sort of justice in the universe-or at least that part of the universe which oversees literary legacies-Ernest Hemingway’s place in the academic canon of American fiction will be replaced by Charles Chesnutt. We are thankful for their contributions and encourage you to make your own. These notes were contributed by members of the GradeSaver community.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |